by Beata Bieniak
A somewhat mocking work relating to virtual art critics. In this case, they are humanoids, but they can personify, for example, people who express themselves about works of art on the Internet, who do not have an idea about art. As this is a common problem faced by contemporary artists, Fernández took up the subject. The works that are criticized by the humanoids in the painting are the artist’s works. It also deepens the dimension of the work by the artist’s self-reflection. This shows not only the phenomenon of comments on the Internet, but also how often they do not matter – these people are avatars, humanoids, all the same, and their voice is not a voice that will break through. The artist is aware of this and he perfectly portrays this phenomenon through digital work.
Polish digital photographer. She is self-taught and has been creating for over 10 years. Her work is divided between photomontage and traditional digital or silver photography. She works primarily in black and white, although her colour photographs are also published.
With the unusual, sometimes even whimsical juxtapositions evident in her montages, she transfers viewers to fantastic, mysterious worlds. Her surreal images are also reflections on the world we live in. The works in which she can give vent to her imagination show – as if in a distorting mirror – a slightly different, curved reality full of remarkable flying elephants, but also beautiful flora. Her passion is photographing and immortalising trees, to which she pays a lot of attention in her work. However, she also takes pictures of landscapes, nature views and architecture.
About her work she says: “Photography is a part of my life that I really respect. It makes my imaginative visions free and makes a silent dialogue between me and viewers. It’s a crutch and fullness in my adult age. It’s a way of watching the world that surrounds me.”
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